|
Anatomy of a Campaign | 'FAR ABOVE' STRESSES
CORNELL'S PUBLIC MISSION
tHE UNIVERSITY'S $4 BILLION CAPITAL CAMPAIGN HAS
many ambitious goals, not the least of which is transforming
Cornell into the "land-grant institution to the world."
This vision was articulated by President David Skorton on
October 27 in his State of the University address, in which he said
the campaign "will permit us to realize the overarching goal that
has guided Cornell since 1865: to serve the needs of the world
whether in Ithaca, Upstate New York, the cities of our country, or
any area around the world where the talents and courage of
higher education can provide a solution to the problems and challenges
of everyday life."
Achieving this, Skorton explained, will require five years of
intensive fundraising focused on three priorities: students ($640
million), faculty and programs ($1.885 billion), and facilities
($1.175 billion). In addition, the University seeks to raise $300 million
in unrestricted funds. Student support will take the form of
undergraduate financial aid as well as fellowships and other assistance
for graduate and professional students. Funds are also
needed, Skorton said, to "recruit, support, and inspire the next
generation
of faculty," as Cornell faces the retirement of about onethird
of its professors in the upcoming decade. This is especially
challenging because many other institutions are facing a similar
scenario--so competition for talented candidates will be intense.
The facilities component includes both new construction--such
as the Life Sciences Technology Building in Ithaca and a biomedical
research center in New York City--and renovation of the
Johnson Museum, Helen Newman Hall, and other structures.
Identifying these priorities was a lengthy process driven by
academic concerns, says campaign director Jim Mazza '88. "They
were determined by conversations that Provost Biddy Martin
had with the faculty and deans and vice provosts," he says. "They
have set an agenda for what they imagine Cornell will be in the
year 2015--and beyond." The "wish list" was assessed
for feasibility
and refined to a set of objectives that was presented to the
Board of Trustees. The Board approved the goals in September,
and "Far Above . . . The Campaign for Cornell" was launched
at an October 26 press conference at Weill Cornell Medical College
in New York City.
The campaign's co-chairs are Stephen Ashley '62, MBA '64,
and Jan Rock Zubrow '77; the chair for Weill Cornell is Robert
Appel '53. All three are "seasoned fundraisers," says
Laura Toy,
associate vice president for alumni affairs and development. "We
really look to them as we think about strategy," she says. "They
help us as we think about our campaign message and how we
approach individual donors."
One of the challenges for a campaign of this scope is finding
new donors.While Cornell has a loyal cadre of supporters who are
"rabidly red," as Mazza puts it, reaching new fundraising
heights
requires gifts from alumni who previously may not have been
major contributors. "There are a lot of alumni who five or ten
years
ago might not have been in a position to make a significant gift,"
says Toy. "But they are now at points in their lives where they
can,
maybe because their career has advanced or their children have finished
college--any number of reasons. I think we did a good job
in the last campaign engaging the classes of the Fifties and Sixties,
and now we need to look to the Seventies and Eighties."
Cornell's fundraisers aren't the only ones looking for new
donors eager to support their alma mater. Yale has set a $3 billion
goal for its capital campaign; Columbia, like Cornell, is seeking to
raise $4 billion; and Stanford's effort--the most ambitious
so
far--seeks to raise $4.3 billion. Penn and Harvard are expected
to
follow suit before long.While it seems clear that advancing higher
education is a worthwhile social endeavor, some have sounded
cautionary notes about fundraising oneupsmanship. In "Endowment
Envy," an article by Scott Jaschik '85 at the Inside Higher
Ed
website, development consultant John Butler said he's fearful that
"size has become something of a game--a competition that I'm
not sure is healthy."
Not so, says Ronald Ehrenberg, the Ives Professor of Industrial
and Labor Relations and Economics and director of the
Cornell Higher Education Research Institute. "I don't think
it's
just responding in kind because your peers are doing it," he says. "I
think it's an effort to get the resources you really
need." Ehrenberg cites the example of Harvard and
Princeton eliminating loans from their financial
aid packages--a move made possible because of
their much greater endowment-per-student
resources--as a legitimate reason for Cornell to
emphasize fundraising to assist lower-income students.
"If we want to maintain this as a diverse
campus," he says, "we desperately need to raise
money for financial aid."
Mazza agrees. "It's not about competition with
other universities," he says. "If you look at what Cornell's
trying to accomplish, it's about the aspirations
that the president and provost have articulated,
which are essential to Cornell continuing to be the
kind of institution that it is and the kind of institution
that it will be ten or fifteen years--or 100
years--from now."
That institution will be one, as Skorton
explained, that must expand its public mission.
Research universities are uniquely equipped, he said,
to confront such problems as "poverty, hunger, and
lack of access to health care . . . challenges which are
global and shared." Addressing those issues is the
real reason for embarking on a capital campaign,
and thus Cornellians must "secure the resources
necessary to guarantee students' access to Cornell,
to provide a first-rate education when they get here,
to meet the challenge of retirements in our professoriate,
and to renew our aging physical plant. These
are the foundations that enable the contributions
we want to make to the world."
-- Jim Roberts '71
Crime Pays | MICHAEL CHERNUCHIN, JD '81,
ON WRITING, (NOT) LAWYERING, AND
WORKING FOR A LITTLE TV SHOW CALLED 'LAW & ORDER'
CAM: "Law & Order" is famous for ripping its stories
from the
headlines.
MC: Our bible is the front page of the New York Post. But typically
I use the headline just for the teaser. So people go, "Hey, I recognize
that--they're doing Martha Stewart, they're doing John
Gotti." Then we go in other directions. So it's the headline,
not the
body of the article that we use.
CAM: Does anyone ever get mad at you for it?
MC: Oh, it happens. Joel Steinberg [who was convicted of beating
his illegally adopted daughter to death in 1987] threatened to
sue. Now there's a disclaimer that runs at the beginning of each
episode.
CAM: One of the show's defining elements is that the main
characters' personal lives don't figure into the plot--to
the extent
that no one remains from the original 1990 cast.
MC: If you watch one show, you don't know anything about the
characters--but if you watch a dozen, you know a lot about them.
Character comes out in an eyedropper, not a ladle, which bothered
the actors for a while. Jerry Orbach would always say, "Give me
a scene where my partner dies in my arms so I can emote and
win an Emmy."
CAM: "Law & Order" runs so often on cable, sometimes
the
original and its two spin-offs ("Special Victims Unit" and "Criminal
Intent") compete in the same time slot.Why is the show so
addictive?
MC: It's the ripped-from-the-headlines aspect, and the fact that
you don't have to have seen the previous episode to enjoy it.Most
important, we don't just tell a murder mystery; there's that
moral
mystery in the legal half. "Law & Order" makes people
think--
which, most of the time, is a good thing. With the constantly
changing cast, the show always feels new. And the stories are
unlimited, because we're not dependent on characters--unlike,
say, Sipowicz on "NYPD Blue." I mean, you can only do so
much
to the poor guy. His kid died, his wife died, he's a drunk.What
else can you possibly do to him?
CAM: Of the hundred-plus episodes you've written, do you have
a favorite?
MC: It was called "Chosen." It started out like a very
prosaic crime--one bookie killed another--but
the defense was that he stole the victim's
money so he could send it to Israel. I got
letters the same day from the Jewish Anti-
Defamation League and the Arab Anti-
Defamation League, both complaining
about the show. I used to tell my writers,
"I want to piss someone off with every
episode," so we did a great job.
CAM: You were editor of the Cornell Law
Review. So how did you end up in TV?
MC: I never really wanted to be a lawyer;
since I was eight, I wanted to be a writer. I
was miserable working at a law firm. So I
did a study: what's the quickest way to
become a professional writer? Television
needs the most product. So I wrote a spec
script, moved to L.A., and thirty days later
I had a job on "Law & Order."
CAM: You were with the show for its first
six years, rising to executive producer and
head writer, then left for six years and
came back for two more. What else have
you been up to?
MC: I created a show called "Bull," starring
Stanley Tucci. I was executive producer
and writer on "Michael Hayes," starring
David Caruso. And I was a consulting producer
for the first season of "24."
CAM: But you still write for "Law & Order."
MC: Every now and then they ask me to
write an episode. I have one on this Friday,
actually. A script didn't work out, and I got
a call that said, "Can you write one over
the weekend?" I was busy Saturday, so I
wrote it on Sunday.
CAM: What are you working on now?
MC: I'm in development, trying to sell
new shows. One is called "Fort Pit." It's a
cop show about the worst crime district in
New York, which is in Brooklyn, and the
cops are all crazy or screwed up. The other
one I'm pitching is a remake of the old
Angie Dickinson show "Policewoman."
CAM: You also wrote the original story for
the Arnold Schwarzenegger movie Eraser.
Did you come up with the part where
Arnold shoots an alligator in the mouth
and says, "You're luggage"?
MC: I didn't write the line, but the alligator--
that was me.
-- Beth Saulnier
Enchanted Forest | SCULPTURE TRANSFORMS
TREES
INTO WHIMSICAL WORKS OF ART
it's part Tim Burton, part Dr. Seuss. Along the sidewalk outside
Sheldon Court residence hall in Collegetown, six unassuming
honey locust trees have been transformed into fanciful sculptures
by North Carolina-based artist Patrick Dougherty. For three
weeks in September, Dougherty and a team of volunteers crafted
the temporary works of art, winding and weaving locally harvested
willow and sugar maple saplings around the existing trees. The
resulting sculptures have an enchanted quality, reaching as much
as twenty-nine feet high and featuring oval holes resembling ghostly
faces. The works are hollow, allowing passersby to enter and peer
out of the openings.
Over the past twenty-five years, Dougherty has created more
than 200 installations around the world, each composed entirely
of natural materials. His Cornell piece, abstractly entitled "Half
a
Dozen of the Other," will be on display until next fall as the
first
entry in the Cornell Council for the Arts' "5 Years /5 Contemporary
Installations" program. "Like a normal tree, it will change
color
and look different in the sunlight, cloud, and snow conditions of
Ithaca," says architecture professor Milton Curry, the council's
director. "That's part of the beauty of it--to see it
transform."
--Ben Kopelman '07
Against the Grain | SCIENTISTS DEBATE
ETHANOL'S PROMISE

eTHANOL HAS BEEN HAILED AS A GREEN FUEL MIRACLE
and decried as an environmental scourge. Critics call it a
political concession to Midwestern agribusiness, while proponents
extol its potential to boost the earnings of imperiled family
farms. Does it enhance national security by reducing America's
voracious appetite for foreign oil--or does it contribute to global
malnutrition?
Like most debates at the intersection of science and politics,
the facts depend as much on how you ask the questions as on who
answers them.With the national Farm Bill--which sets corn subsidies--
expiring this year, and Americans growing increasingly
concerned about energy independence and greenhouse gases,
expect the debate over ethanol to intensify.
At Cornell, scientists have staked claims on both sides of the
divide. As one of five Sun Grant Initiative Centers of Excellence,
the University has received $8.2 million in federal funds for
research into energy and chemical products derived from plant
and animal sources. "With our global community entering a less
certain oil future, there will be a major transition to agriculturalbased
bio-industries," says principal investigator Larry Walker, a
professor of biological and environmental engineering who coordinates
two dozen faculty researchers in various engineering specialties
as well as plant breeding and nanotechnology. "Our vision
is to rethink how many of society's needs can be met using renewable,
agriculturally based raw materials."
Ethanol comes from two sources: easy-to-ferment simple sugars
found in grain and sugar cane, and complex carbohydrates
extracted from cellulose-rich feedstocks like perennial grasses and
the woody corn stalks usually discarded as agricultural waste. Cellulosic
ethanol entered the national lexicon in January 2006, when
President Bush highlighted the alt-energy potential of sawdust
and switchgrass, a perennial native to North America, in his State
of the Union address.
By the time switchgrass hit the evening news, Cornell researchers had
already formulated techniques for isolating cellulose--
a complex sugar molecule--from lignin, the robust macromolecule
that makes woody plants woody. They had explored
strategies to expedite fermentation and to power ethanol production
facilities with leftover lignin. "The future of biofuels is
not in corn, it's in these lignocellulosic plants," says
James Gossett,
director of Cornell's School of Civil and Environmental Engineering
and a collaborator with Walker on studies of switchgrass
pre-treatments that facilitate fermentation. "In any responsible
models for lignocellulose-based ethanol production, you burn
byproducts as the fuel needed for distillation." Yet because of
its
molecular simplicity, corn is used in most domestically produced
ethanol--and most processing plants are powered by fossil fuels.
According to the American Coalition for Ethanol, 109 facilities in
the U.S. convert high-starch plant materials into liquid fuel;
another sixty-two are under construction. Last year, American
processors churned out 5 billion gallons of ethanol, buying up 19
percent of the corn grown in the heartland and boosting prices
by five to eight cents per bushel.
Unlike the golden ears featured at picnics, the commodity
corn diverted to gasoline tanks requires substantial processing for
human consumption, making its way to the table as high fructose
corn syrup and other derivatives. Critics have long considered the
crop (also used as animal feed) a culprit in global hunger, arguing
that land used for its cultivation could instead supply nutritionally
rich, plant-based diets for humans. Feeding the stuff to
SUVs has only fueled their ire--and the criticism doesn't
end
there. "Corn production causes more soil erosion than any other
crop in the nation," says ecology and agriculture professor David
Pimentel, PhD '51, a long-time critic of ethanol. "It also
uses more
nitrogen fertilizer, more insecticides, and more herbicides, which
are getting into our air and soil." The beef industry says that
ethanol's effect on corn prices has pushed up costs at the butcher's
counter by $1 billion a year. Pimentel highlights the ubiquity of corn
in processed foods and livestock feed,
and blames ethanol for higher milk, meat,
and egg prices nationwide.
In July 2005, Natural Resources
Research published Pimentel's comprehensive
critique of ethanol production,
including corn, soy, sunflower, and lignocellulose-
based processes. The work was
his latest in a thirty-five-year effort to
reveal the high cost of ethanol production.
When his first analysis was published
in 1973, incensed corn-belt legislators
had him investigated by the
Government Accountability Office. "It
was a form of harassment," says Pimentel.
"The GAO spent twenty times more
money investigating us than we spent
preparing our report--and they published
a report twice as long as ours, confirming
we were correct."
In the 2005 paper, co-authored with
Berkeley engineer Ted Patzek, Pimentel
again cast his net wide, considering the
price of seed, irrigation, fertilizer, equipment
maintenance, fuel to power processing
plants, industry subsidies, even the cost
of cleaning water dirtied during production.
"For every gallon of ethanol produced,"
says Pimentel, "there's six to twelve
gallons of effluent that have to be run
through sewage treatment plants." Ultimately,
they conclude, ethanol--regardless
of its source--is a boondoggle. In the
intervening year the pair has faced a storm
of criticism, tagged as stooges of the oil
industry and criticized for using stale data.
The Natural Resources Defense Council
called Pimentel "about as credible as the
scientists who say climate change isn't a
man-made problem."
Pimentel's Cornell colleagues say his
calculations overestimate the energy costs
associated with ethanol production, and
while they agree that corn-based ethanol
has significant shortcomings, they see
potential in agricultural waste--especially
if they can refine the process to maximize
the energy locked inside each sugar molecule.
Like Gossett, biological and environmental
engineering professor Norm Scott,
PhD '62, sees switchgrass ethanol as a
viable option. "These are perennial grasses,
so they don't need the same fertilization
and machinery," says Scott, who teaches a
course on sustainable energy systems. "They're planted
once and they're in the
ground for years. You don't even need
much herbicide and pesticide."
Perhaps more important in evaluating
gasoline alternatives, says Scott, is the fact
that almost any liquid fuel process yields
less energy than its raw materials. "You're
already in the business of net negative
energy when you produce gasoline," he
says. "There's no process that's 100 percent
energy efficient." Pimentel has advocated conservation and efficiency,
a stance his
Cornell colleagues support. Yet for a
nation of suburbs with spotty public
transportation and extensive, truck-based
supply chains, demand for liquid fuel isn't
likely to ebb anytime soon. "There's clearly
an opportunity to reduce dependence on
foreign oil by introducing ethanol and
biodiesel production," says Scott. "It won't
be the whole answer, but it is significant."
-- Sharon Tregaskis '95
|